
My Brightest Diamond
Jules and I went all three days this year. Saturday and Sunday were pretty dull, but Monday made up for it all. KEXP had a “private” stage where the performers played for the room while they broadcasted live, and this stood out beyond all else. We managed to see Stars of Track and Field, Viva Voce, The Shins, Black Rebel Motorcycle Club, Crowded House, Mocean Worker, Joan as Policewoman, My Brightest Diamond, Andrew Bird, The Fleet Foxes, and Tokyo Police Club.
Brief thoughts follow:

Stars of Track and Field were freaking awesome, as always. I absolutely love their sound and it is wonderful to see a group of guys get so into their music they end up dripping with sweat. Jules can’t get into them, but I don’t really understand why.

Joan as Police Woman: slightly creepy in an obsessive way, but this is also what makes her charming and cute. I had heard a bit of her music earlier on but got really hooked on her sound after seeing her live. It always helps to put a personality with the music.

Mocean Worker was the biggest surprise of all. He had the appearance of a beer-guzzling frat boy, complete with sports jersey and baseball cap, jeans and scruffy facial hair; he looked like the sort of guy who would end the evening pantsless on the roof, but he really got the place moving. He had a full band behind him, playing all manner of instruments as they pumped out this lively, dance-inspiring jazz funk. A crowd of excited dancers filled the space in front of the stage while they played. I spent most of the performance trying to reconcile the rift in my mind between the guy’s appearance and his talent.

My Brightest Diamond was a spectacular performance, as expected. Shara Worden is so incredibly cute and sweet up there on stage but manages to rock out with wild intensity. Having seen her twice before, I would rate this performance very high on the list, especially considering the previous time she passed through she had sprained her knee and sat on a stool the entire time. She is so amazingly gifted.
The Shins were pretty good, but they played the mainstage so they had to adapt to the ridiculously huge outdoor setting and the music suffered as a result. They were much, much better at the Paramount, a dark and enclosed environment. Why do they always slow down “New Slang” live? I prefer its original pace.
Black Rebel Motorcycle Club was boring. Who decided to have them play outside in the bright sun before noon?! Poor choice of venue.
The Fleet Foxes continue to show an incredible display of potential. Their music shows a maturity beyond their years, and it is clear they are going somewhere. This was my third time seeing them as well, and it’s fantastic to see them growing more confident on stage. When will someone give them a record deal, for god’s sake?!
Andrew Bird is a master of looping. He was able to work that machine to sound as if he had a full band behind him when it was just himself and a guitar and violin. We were lucky enough to see him play both on a larger stage and on the KEXP stage, and were impressed both times. He is so talented and adept at multitasking, and clearly knows his own music so well he can improvise on the spot. Who else can have 5 loops going simultaneously, cutting in and out, and whistle, sing, and play multiple instruments over the top? Mans!
Tokyo Police Club were not as loud as I expected. The lead guitarist broke his guitar during the first song of the KEXP broadcast and with grace the lead singer took over and played a tune without him, then gave an impromptu interview while the stagehand mended the guitar with duct tape. Classy!
Biggest festival complaint: DO NOT put food vendors along the strip towards the exit. It makes it impossible to move anywhere in any direction and results in a cloud of angry people wanting to leave and angry people wanting to eat. Bad, bad, BAD combination.