
The myspace booth in the Indie Market
Monday began with browsing the Indie Market, where a bunch of artists and craftspeople had tents set up to showcase their goods. Many of them were so prolific it blew my mind. I have no idea how they have the time and stamina to create so much art! Also amongst these stands was the good ol’ myspace.com tent, where teenage hipsters could log on and update their pages. While I think the concept of social networking is pretty good for young people, it also disturbs me quite a bit. Because it is designed for people with little web knowledge, the quality of page design is pretty low and I’ve had a lot of instances of people not only stealing my art as their background, but directly linking it from my site with my watermark clearly visible. That doesn’t make me a happy camper, so I get a bad taste in my mouth whenever the word “myspace” is uttered by anyone.

Rocky Votolato (Backyard)
The first act I saw was Rocky Votolato. I saved myself a spot near stage left where I’d stood for Badly Drawn Boy, so I was pretty close to the action. The sun was high in the sky so I had to shield my eyes the entire time. I had pretty sore arms by the end of it, but it was worth it as Rocky put on a great show. He confessed he wasn’t used to 75-minute performances so he hadn’t prepared a full set. He played a traditional song off the cuff to fill in the leftover time in his slot. The crowd loved him and I even heard a guy yell out “Marry ME!” He dedicated a song to Steve Irwin, who had just died the previous day, which I found to be touching. He said his children watched Croc Hunter a lot so it was a big loss for his family.

Bitter:Sweet (Northwest Court)
My friends were keen to see David Cross (Tinkle) so they went over to the Comedy North stage to try to get into the show. I lost track of them so I headed over to the Northwest Court to see Bitter:Sweet, which I had really wanted to see. The stage had a bunch of chairs set up, which meant that it would be a seated show. Yay! I got the last seat on the right of the front row, so I had yet another fantastic view of the stage. They had 7 musicians in addition to singer Shana Halligan. She was absolutely mesmerizing; dressed in a low-cut, flowing white dress, her long red curls tumbling down her shoulders, she captivated everyone with her lounge-like, sultry vocals while flirting with her bandmates. She mentioned several times that this was the band’s first performance outside of Los Angeles and they were honored to be able to perform at Bumbershoot. The stage was clearly too small for them as there were people watching the show from every possible spot. For a “baby band” as she called them, they certainly had a significant following!

Feist (Mural)
The last show of the evening was Feist. The previous performance on the Mural stage was a band out of Louisiana whose audience consisted mainly of aging hippies, which seemed to keep most of the Feist crowd at bay. Despite my reluctance to be part of that audience, I braved it and worked my way down to the front and waited for them to clear out, then made a beeline for the stage at the first possible opportunity. I stood there for the better part of an hour, excitedly holding my spot. I had a chat with a guy next to me for awhile as they were setting up the stage. Ten minutes after it was all set up, she still hadn’t come out so people started chanting for her. She came out with her band and opened with “The Build Up,” a song she wrote with the Kings of Convenience. That had always been a really special song for Jules and me, so I was really happy to hear that. She was full of vitality and excitement and her beautiful vocals were even more stunning live than on any recording I’ve ever heard. I was really astounded by how absolutely tiny she is! So much talent and energy emanating from such a small person. Hee. :D
She played a very slow version of “Mushaboom” which the audience loved. She used two microphones and somehow worked them so she was using herself as backing vocals (I know little about live performances from a technical standpoint, so I have *no* idea how she pulled that off, but it was damned impressive!) At one point she intended to do a slow song so she asked the audience if anyone had a lighter. No sooner had she asked then one came flying through the air and struck her smack in the chest. Oof! Whoever threw that must not have ever been to a concert since she expected people to follow the usual protocol of raising a lighter in the air! (Who’s that dumb?) It was pretty funny; I wish I had gotten a video of that. She was cool about it too, so it eased the crowd.
Her encore consisted of three songs, one of which she had just learned an hour and a half previous. She began the song three times as the first two times one of her band members told her she was in the wrong key. Heh. Her final song was “Let it Die,” which was really fitting. A lovely performance from a very talented musician.
I left the show eager to start posting photos and writing reviews but I was far too tired to give it the attention it deserves, so I got some rest instead. I am so happy I made the effort to go and get as close as I could so I could share this lovely experience with everyone. After all that I’m really looking forward to some down time and some rest!
Other images of note: Knitta tree graffiti. This was near the Northwest Court where Bitter:Sweet performed. Knitta does this sort of thing to trees, car antennas, pretty much anything cylindrical that they can “tag.”