Associations
I’m listening to “Alppha Beta Gaga” by Air right now, which has made a habit of making me ache inside whenever I hear it. It conjures up vivid memories of Jules driving us places in his parents’ red Honda Jazz, Rose in the passenger seat and Ross and me in the back, (sometimes with Ivan as well) Jules taking corners a bit too sharply for the passengers in the back, sending us flying into each other while he and Rose remained planted securely in their seats up front. “Play the whistle-y song again!” I’d say. It’s such a good traveling type of song. There are so many things I associate with my Aussie friends and my trip there, but certain things bring up such specific memories that I find myself almost in pain when I recall them because they are so full of happiness and affection. While I seem to be over the continuous depression I was suffering the first few weeks I came back, I still have these moments where I just stop and have to fight off tears because something has reminded me of the great times I experienced in Australia. Our lives are so intertwined now that if I were to attempt to disassociate myself from anything that reminds me of them, I’d find it impossible. They are every bit a part of my everyday life as my own family is. I am extremely grateful for these memories and wouldn’t give them up for anything.
I wish I didn’t cry so easily. It doesn’t take very much to set me off, especially in relation to everything mentioned in the previous paragraph (and ne, most everything I’ve written in the last three months.) I’ve always found this to be a weakness since I cannot effectively control it but Jules has told me on more than one occasion that he admires that I can be that open with my emotions. His opinion matters so much to me so I trust him when he says this, even if I don’t view it the same way. Yes, I’m glad that I have the ability to express myself; of this I don’t disagree. I just wish I had more control over it, that’s all. I feel that I’ve become a much stronger person in the last few years, yet this weeping over hugely emotional things has not left me. I’ve stopped crying over stupid little things like some asshole on the highway cutting me off and making a rude gesture at me because I know now that I don’t need to take that personally. But the more emotionally involved I am in a situation, the more likely it is to bring me to instant tears. I suppose that’s pretty logical when I think about it, but it’s tough to be sitting at work and suddenly be overcome by tears I can’t control. I don’t really try to hide it, but I don’t make a big deal out of it either. I sit quietly, dabbing at my eyes until it passes and I can get back to what I was doing.
Allowing myself to be so emotionally involved has affected my values a lot as well. I’ve gone from being really materialistic (which probably stemmed from me not having much as a child) to only wanting to have necessities. The sorts of things I used to cling to…possessions…just seem so useless to me now. At Xmas I sat there thinking about how consumer-driven the holiday is, how people feel this need to buy each other stuff that they don’t need and might not even want. I was grateful that I got mostly money because I’ll be able to use that for something I need rather than just have something else to take up space. In Australia, I observed that my friends don’t have very much stuff cluttering their homes up. They have a few things that they are really interested in but there’s a noticeable lack of the sort of junk I’ve seen in most American homes (mine included.) Most of this is due to the fact that they haven’t had jobs all the way through school so they don’t have as much spending money…but still it heightened my conviction that stuff does not equal happiness.
So over the weekend I went through a bunch of my clothes and gave a considerable stack of them to Goodwill. (By considerable, I’m talking about a 4′ or so stack of folded clothes.) It was all decent/nice stuff but I never wore it and I realized I probably never would again. Why hold onto it then? So off it went. With the exception of my computer, some clothes, and some grooming supplies I think I could live quite happily out of the suitcases I took with me to Australia. This is why I think I’ll be just fine taking myself and my car with me when I move to Portland/Seattle. When I was in Australia…I didn’t miss all the junk I have. I had access to a computer, and enough clothing for about a week and a half. And I was just fine. Will’s minimalism on his trek westward was pretty influential on me, especially since I’d been thinking of simplifying my life for awhile at that point. I’m sure a lot of that has to do with how he lived in Tokyo where space really is limited, but he’s also one of those types of people who only buy what they are really interested in, rather than all sorts of random crap. Ross is also a lot like that, though his wishlist is a lot longer in the music department especially.
I’ve been talking about painting quite a bit recently, simply because it’s been really prominent in my thoughts. I am very excited to start again since it’s the thing that makes me happiest. I once told Ross that to me there were two things that make me utterly happy, but for very different reasons. One is him, of course…the whole true love thing tends to make anyone happy beyond words, ne? (And me moreso than most, probably.) The other is painting, because when I get in the groove, I feel like I’m channeling a higher power, in touch with something beyond myself…and there’s a sort of euphoria associated with that which I’ve attempted to describe several times but never really found the right words for. Painting makes me giddy when I’m on the right track, in a way I’ve never felt before in connection with anything else. When I’m on to something big, the energy I am able to generate simply by thinking and talking about my ideas is incomparable to anything else. It’s absolutely electric, alive, buzzing. In this state, people seem to either gravitate towards me with awe or away from me with worry and fear.
The series I plan on doing centers around my trip to Aussieland (not surprisingly) because it’s the one thing that’s been most inspiring and influential on my life in the last two years. In particular, I plan on focusing on the people I grew so close to (again, big shock.) This both excites me and terrifies me at the same time because I have so much of myself invested in my relationships with them and I’ve never painted anything that deeply personal before. But even more than that…these works will not only be exposing something important to me, they’ll be exposing the people within them. Because of this, I needed to make sure I had permission before beginning the work. Ross granted his immediately, as he feels honored to be thought of so highly. Previously, Rose and Jules had had similar reactions when I asked to paint them, and I suspect their attitude has only grown more strongly in that direction since we’ve met.
I don’t necessarily worry that I won’t do them justice or paint them to look as they really are…I don’t doubt my talents in that way…but I do have a slight apprehension about delving into this. They are all so important to me that I know I am going to be dealing with a lot of deep emotion as I work on these pieces. Past experience has shown that I grow attached to anything I spend a lot of time on, (paintings in particular) so this is nothing new, except for the fact that I have never worked on a series dedicated to something I’m already completely attached to. My subjects have almost always been fun and lighthearted or even witty, so there’s an element of humor attached to them to keep them from being too weighty. In general, this is how I prefer to work. So my concern here is what sort of mood I want to convey. Choosing a color scheme will be vital in getting the particular mood across, so even though I may already have a composition in mind, color is something that I often change my mind on as I work. Would treating these paintings in a serious tone make them too overwhelming? Can I find humor or wit in something I’m so deeply attached to? How do I convey that? These are all questions that are nipping at my heels as I work through the conceptualizing stage…and questions I’ve never really had to think about before. Yes, I have painted three of these people before, but the situations were much different then. I may be overanalyzing this…as the answers to these questions will appear as I work (as they often do) but it doesn’t stop me from thinking about it.
In related news, my dad and I went to get the wood for the frames last night. I’m planning on starting with ten 24″x32″ canvases and choosing projects from there. My first one will be a diptych and I may do some variations on the multiple canvases theme since I had so much fun with that in the past. Using smaller canvases will allow me a lot more flexibility in size and portability so this is very exciting to me. Also, sticking with a standard size is a good idea for uniformity just in case I decide I might want to show them in a gallery one day. And if this is the case, there is nothing I want more than to have Ross at my side to share the moment…even two years ago when I had “Avatar” in the gallery that was the one thing I wanted more than anything. I didn’t get my wish then, but hopefully this is something we can share in the future.
